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8.
Condensing the background, I'm able to stress the yellow rose's luminosity. Then
I introduce a little cobalt blue, which is a cold color, to contrast with the
yellow of the rose.
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9.
It is important not to forget that the paper is damp, and it might be necessary
some times to use a cloth or paper towel to remove the excess water.
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10.
I go back to the flowers, deepening the core of the roses with darker shades.
For the yellow rose I'm using a little more of the orange red, always moving the
brush, in case of the core, inside out.
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11.
I start to deepen the match of the different flowers, adding a little dark ultramarine
blue and sepia. Please note that I changed the brush. Now I use a ½ inch flat
brush.
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12.
With a mixture of sap green and a little leaf green, I give a few strokes on the
boughs and leaves. I also add a little burnt Sienna to "burn" the green a little.
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